Emma Calvé on the ‘Fourth Voice’ Taught to her by Domenico Mustafa (1922)
‘During my sojourn in the Holy City, I often went to hear the choir of the Sistine Chapel, which was at that time under the direction of...
Reimagining Historical Voices
‘During my sojourn in the Holy City, I often went to hear the choir of the Sistine Chapel, which was at that time under the direction of...
‘Our quarrel with excess of tremolo is twofold. When passion is simulated by tremor, it is forgotten that an Englishman, when he is...
'Here is another point which beginners should take to heart, and follow as far as they are able. Try to avoid over-anxiety. Students...
'While this study has shown that the wax cylinder phonograph system significantly alters spectral measurements of the voice output...
‘At 5 o'clock I attended a rehearsal at the Thomas School. The cantor Hauptmann had the grand double-choir motet (by Bach) Singet dem...
‘A few trials will suffice to prove that every shade of passion, however slight, will effect in a peculiar way the physical condition,...
‘How often may the master [Palestrina] himself have conducted it [the Missa Papae Marcelli] with sublime enthusiasm, full of the fire...
‘The great scale, properly elaborated in practice, accomplishes wonders: it equalizes the voice, makes it flexible and noble, gives...
‘To many in the singing profession, in fact, an investigation of past approaches seems irrelevant. Even a casual survey of recent...
‘Among the old musicians it used to be customary to write a mere outline or suggestion of the voice part. Particularly was this the case...
‘If one wants to describe the sensuous impression of a voice, one says, of course, that the organ has a golden or a silvery sound, that...