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Reimagining Historical Voices
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Tim Braithwaite
Manuel Garcia on Changing or Replacing Words when Singing:
In altering or re-arranging words, or syllables, care should be taken to retain and mark the measure or accent of a melody, and only...
Tim Braithwaite
Isaac Nathan’s Annotations on a Handel Aria and the Swelling and Dying of the Voice
‘The preceding examples receive their colouring from the discrimination of the singer; but a still nicer task remains for him to execute,...
Tim Braithwaite
Adhémar de Chabannes on French and Italian Articulation (11th c.)
‘All the singers of France have learnt the Italian style that they now call ‘French’, but cannot express perfectly the tremulous...
Tim Braithwaite
Johann Quantz on Articulation for Singers and Exceptions to Inégalité (1752)
’Also excepted is all quick passage-work which must be executed by the human voice, unless it is supposed to be slurred. Since every note...
Tim Braithwaite
Comparing Tosi, Galliard, and Agricola on the Articulation of Passaggi
Tosi describes two main types of articulation for the performance of fast notes, the ‘marked’ (‘battuto’) and ‘glided’ (‘scivolo.’)
Tim Braithwaite
Johann Quantz on German Church Singing (1752)
‘What the German manner of singing was like in times past may still be perceived today from the singers in choirs...
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