Giovanni Bardi Discussing Good and Bad Singing in a Letter to Giulio Caccini (c.1578)
I become nauseated when I recall some singers I have heard, whether solo or accompanied by others, improvising on a choirbook, not caring...
Reimagining Historical Voices
I become nauseated when I recall some singers I have heard, whether solo or accompanied by others, improvising on a choirbook, not caring...
‘In honour of immortal God, the Supreme Pontiff Nicholas V filled the most sumptuous sanctuary that he had erected among the papal courts...
‘Thus I say, that these voices are born from the matter of the tube [throat]; and by tube [throat] I mean all the parts mentioned above,...
This kind [the motet] of all others which are made on a ditty [text], requireth most art, and moveth and causeth most strange effects in...
‘On the difference between the syllables/voices [stimmen]. From the above mentioned six syllables two are called b molles, ut and fa,...
‘Now you shall have a general rule to grace it, as with passionate play, and relishing it: and note that the longer the time is of a...
‘All these things require aptitude, agility, and time, without which nothing can be achieved, and the singer, in using or adopting them...
Since we’ve already seen Zenobi’s comments on the requirements for a soprano (https://www.cacophonyhistoricalsinging.com/post/luigi-zenob...
‘In Rome...while singing [extempore] counterpoint, in the mind (alla mente) above the bass, nobody does that which his partner sings, but...
‘Moreover, such diminutions should be used in [works for] more than four voices, because diminution always causes the loss of numerous...
‘In setting these vowels, composers are advised that some, such as a, o, and u, are amenable to runs in the low registers and support the...
A Gloria from an unknown mass setting by Estienne Grossin. Check out the ossia cadenza!