Tim BraithwaiteBottrigari on both Ensemble Ornamentation and ‘Odious’ (‘odiosa’) Improvised Counterpoint (1594)‘[Alemanno Benelli:] But because of the presumptuous audacity of performers who try to invent passaggi, I will not say sometimes, but...
Tim BraithwaiteEnglish Psalm Singers ‘Tearing with their Throats one Wretched Stave into an Hundred Notes’: (1708)‘Then out the People yawl an hundred Parts, Some roar, some whine, some creak like the Wheels of Carts; Such Notes the Gam-ut yet did...
Tim BraithwaiteFriedrich Weber on Choral and Solo Singing and Training the Choral Voice (1800)‘Singing exercises that last too long and involve too much effort make the voice screeching, cause the voice to go out of tune, and are...
Tim BraithwaiteDomenico Corri (1810) on the First Lesson and how to Sing Major/Minor Semitones‘Progressive rules for daily practice proportioned to the age and ability of Pupils: The intention of this Exercise is to acquire the art...
Tim BraithwaiteMichael Praetorius on the Requirements of a Singer and Expected Vocal Ranges‘Firstly, a singer must have a voice by nature, in which three requirements and three flaws are to be noted. The requirements are these:...
Tim BraithwaiteLeopold von Sonnleithner Remembering in 1857 Johann Vogl’s Singing and Influence on Franz Schubert‘Without a doubt, [Johann] Michael Vogl stands foremost among those who recognised and promoted Schubert’s genius early on. As far as...
Tim BraithwaiteJoseph de Lalande's Comparison of French and Italian Register Usage‘I have said that the tenor of the Italians was the haute-contre of the French; at least the tenors hardly differ if...