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Reimagining Historical Voices
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Two Comments on Ensemble Singing by Joan Albert Ban (1642)
III. Diminution Diminution occurs when larger notes are broken into many parts by the smaller ones in motion. The which must not...

Tim Braithwaite


Andreas Ornithoparcus on the Singing of Different Nations and the Faults of German Cantors (1517)
Dowland’s Translation: ‘Every man lives after his owne humour; neither are all men governed by the same lawes, and divers Nations have...

Tim Braithwaite


The ‘Tedious’ Tempo of English Psalm Singing in the Early 18th Century
‘But the greatest Difficulty is to sound every Note according to its due Measure of Time; and here it is that the Singers in most Country...

Tim Braithwaite


English Psalm Singers ‘Tearing with their Throats one Wretched Stave into an Hundred Notes’: (1708)
‘Then out the People yawl an hundred Parts, Some roar, some whine, some creak like the Wheels of Carts; Such Notes the Gam-ut yet did...

Tim Braithwaite


A Comparison Between Cathedral Singing and the Singing of David’s Psalms (1644)
Davids Psalms sung in our English Meeter differ much from Cathedrall singing, which is so abominable, in which is sung almost every...

Tim Braithwaite


Friedrich Weber on Choral and Solo Singing and Training the Choral Voice (1800)
‘Singing exercises that last too long and involve too much effort make the voice screeching, cause the voice to go out of tune, and are...

Tim Braithwaite


Johann Friedrich Agricola (1757) and Wolfgang Caspar Printz (1678) on Choral Singing
‘The loudness or softness, especially on long and serious notes, must be observed even by those who sing the supporting voices [not the...

Tim Braithwaite


John Crompton on Suitable Voices for the Countertenor Part (1778)
‘Suitable voices for the middle, or counter part are rather difficult to find; but let no-one, for that reason, attempt it with a feigned...

Tim Braithwaite


Cardinal Domenico Capranica (1400-1458) on the singers of Pope Nicholas V
‘In honour of immortal God, the Supreme Pontiff Nicholas V filled the most sumptuous sanctuary that he had erected among the papal courts...

Tim Braithwaite


Johann Matthias Gesner’s Description of J.S. Bach Directing from the Keyboard (1732)
‘To Marcus Pabius Quintilianus You would think but slightly, my dear Fabius, of all these [the accomplishments of the citharists], if,...

Tim Braithwaite


John Curwen Describes a Rehearsal of the Boys at St. Pauls, London in 1891
‘The Cathedral bell is striking two, and in the passage boys scud to and fro shouting “Practice!" and racing to their places in the...

Tim Braithwaite


Denys van Leeuwen on Late Fifteenth-Century Liturgical Singing, Translated by Robert Redman (1533)
‘Whether descant may be commendable in the divine service, and of certain things which ought to be eschewed in song. Like as it is...

Tim Braithwaite


With Chains of Gold? Thomas Morley describing the soundworld of English liturgical singing (1597)
This kind [the motet] of all others which are made on a ditty [text], requireth most art, and moveth and causeth most strange effects in...

Tim Braithwaite


John Earle on ‘The Common Singing-Men in Cathedral Churches’ (1628)
‘The common singing-men in cathedral churches are a bad society, and yet a company of good fellows, that roar deep in the quire, deeper...

Tim Braithwaite


Nicola Vicentino on Vowel Alteration (1555)
‘In setting these vowels, composers are advised that some, such as a, o, and u, are amenable to runs in the low registers and support the...

Tim Braithwaite


Joseph de Lalande on Italian Singing
The repugnance which the Italians have for strong and loud voices, such as our own baritones [basse-tailles] and even haute-contres...

Tim Braithwaite
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