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Reimagining Historical Voices
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A nineteenth-century description of English choral performance, as recalled by lay clerk J.V. Cox
“Everything was done in the most florid style, viz., grace notes, cadenzas, 'shakes' (single, double, and triple), while time was...

Tim Braithwaite


Johann Quantz on German Church Singing (1752)
‘What the German manner of singing was like in times past may still be perceived today from the singers in choirs...

Tim Braithwaite


Wolfgang Mylius on Florid Ensemble Singing (1686)
'In such other florid ornaments which well-practiced singers use when singing solo, one has a lot of license and freedom, so that the...

Tim Braithwaite


Desiderius Erasmus on Church Singing (1516)
‘Not content even with these things, we have brought into the churches some kind of laboursome and theatrical music...

Tim Braithwaite


Johann Petri on High Falsetto Singing
‘A certain soprano who was very skilled and excellent at singing in falsetto (but was not a castrato) once sang arias rising to an e’’’ ...

Tim Braithwaite


Luigi Zenobi’s Instructions for the Perfect Soprano (c.1600)
There remains the soprano, which is truly the ornament of all other parts, just as the bass is the foundation. The soprano...

Tim Braithwaite
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